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pessimisme --- filosofie --- Metaphysics --- #gsdbf --- Philosophy, German --- Philosophy. --- Will. --- Idea (Philosophy) --- Knowledge, Theory of. --- Idea (Philosophy). --- metafysica

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90-6069-644-1

English literature --- bang zijn (themawoord fictie) --- draken (themawoord fictie) --- ruimtevaart (themawoord fictie) --- prentenboeken (genre) --- slapengaan (themawoord fictie) --- Slapen --- Slapengaan --- Draken --- Jeugdboeken 03-06 jaar --- Prentenboeken --- prentenboeken --- slapen --- draken --- JB WILL --- Bang zijn - prentenboek --- Draken - prentenboek --- Monsters - prentenboek --- Slapengaan - prentenboek --- Draak

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Will Self and Contemporary British Society is a detailed and timely study of one of the most popular and controversial literary authors of our time and his engagement with a series of diverse yet interlinked themes. Self is renowned for juxtaposing the fantastic with the quotidian in creative and surprising ways, which has earned him plaudits as one of the most singular and insightful voices in Britain today. In this critical study Self emerges as one of those rare writers whose innovative narrative modes and experimental techniques have resulted in fresh perspectives on some of the most challenging and controversial issues in contemporary British society. Graham J. Matthews reveals Self to be a serious thinker whose novels, short stories, and journalism treat issues that are essential for understanding contemporary Britain: psychiatry and medical discourse; gender and sexuality; urbanism and the illusions of consumer society; satire and the role of literature in society. Will Self and Contemporary British Society captures the continuity as well as the evolution of Self's style to demonstrate that his incisive analyses of the present make him one of the indispensable voices of our time.

Journalism --- Philosophy --- Sociology of culture --- Didactics of the arts --- Ethnology. Cultural anthropology --- Linguistics --- English literature --- Literature --- geletterdheid --- cultuur --- filosofie --- literatuur --- journalisten --- culturele antropologie --- Engelse literatuur --- Self,Will --- anno 1900-1999 --- Great Britain --- Ireland

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This book explores the way in which doubling takes place in several novels, films, and dramas, primarily focusing on modern drama and exploring how five Greek myths – Oedipus, Narcissus, Dionysus, Orestes, and Demeter – inform the literature. Taking a psychological/mythical approach, this book explores the inner divisions that lead to boundary loss and the search for the self that may lead to boundaries found. The contention of the book is that the oedipal search for self has been replaced in modern literature by individuals caught up in a narcissistic culture. Katherine H. Burkman explores plays by Aeschylus, Sophocles, Euripides, Henrik Ibsen, Eugene O'Neill, Samuel Beckett, Harold Pinter, David Mamet, Sam Shepard, Marsha Norman, and Will Eno.

Philosophy --- Psychology --- Social psychology --- Sociology of culture --- Personality development --- Didactics of the arts --- Film --- Theatrical science --- Linguistics --- Literature --- History --- filmgeschiedenis --- performances (kunst) --- psychologie --- sociale psychologie --- geletterdheid --- theater --- cultuur --- filosofie --- geschiedenis --- literatuur --- culturele antropologie --- persoonlijkheidsleer --- persoonlijkheidsontwikkeling --- Sophocles --- Narcissus [Mythological character] --- Dionysus [Mythological character] --- Demeter [Mythological character] --- Oedipus [Mythological character] --- Aeschylus --- Ibsen, Henrik --- Euripides --- O'Neill, Eugene --- Eno, Will --- Orestes [Mythologische figuur] --- Beckett, Samuel --- Shepard, Sam --- Pinter, Harold --- Mamet, David --- Norman, Marsha

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Een onopgemaakt bed, een opblaasvarken of het urinoir van Marchel Duchamp: wat maakt die dingen kunst? Een antwoord op die vraag vereist volgens Gompertz kennis van de evolutie van kunst. Hij schreef daarom een chronologie van de moderne kunst, van het impressionisme tot het heden.

kunstgeschiedenis --- Aesthetics of art --- philosophy of art --- art [fine art] --- esthetica --- aesthetics --- moderne kunst --- anno 1900-1999 --- anno 1800-1899 --- Modern [style or period] --- Art styles --- 7.01 --- Kunsttheorie ; Will Gompertz over moderne kunst --- Beeldende kunst ; 20ste en 21ste eeuw --- Kunst --- kunst --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- realisme --- impressionisme --- postimpressionisme --- Cézanne Paul --- primitivisme --- fauvisme --- kubisme --- Kandinsky Wassily --- orfisme --- Der blaue Reiter --- suprematisme --- constructivisme --- De Stijl --- Bauhaus --- dadaïsme --- surrealisme --- abstract expressionisme --- pop art --- concept art --- conceptuele kunst --- minimalisme --- minimal art --- postmodernisme --- kunstmarkt --- 7.036/039 --- Kunst ; theorie, filosofie, esthetica --- 705.8 --- kunstgeschiedenis, 20e eeuw --- Moderne Kunst --- Kunst; 19de eeuw --- Kunst; 20ste eeuw --- MAD-faculty 12 --- hedendaagse kunst --- kunstkritiek --- Kunstfilosofie --- Actuele kunst --- 20e eeuw --- 21e eeuw --- 700.6 --- modernisme --- theorie --- filosofie --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- 456.7 --- kunstbeschouwing --- kunsteducatie --- didactiek algemeen - expressievakken, lichamelijke opvoeding --- art [discipline]